4 Steenberg Road, Tokai, Cape Town, 7945
Monday - Sunday
10:00 - 18:00
10:00 - 20:00
Closed on Tuesdays Visit Website
The Norval Foundation is a centre for art and cultural expression. This institution is dedicated to the research and exhibition of 20th- and 21st-century visual art from South Africa and beyond. Located in the Steenberg area of Cape Town, adjacent to Table Mountain National Park.The Sculpture Garden, outdoor amphitheatre, purpose-built exhibition spaces and research library are situated in a unique setting that offers visitors a multisensory experience. This is complemented by the Skotnes Restaurant and Bar, a bespoke shop and a children’s playground.
The Norval Foundation aims to create high-quality exhibitions and public programming to broaden the understanding of the visual arts and is honoured to be the custodian of the Gerard Sekoto Foundation, the Edoardo Villa Estate Collection and the Alexis Preller Archives.
Norval Foundation opens its doors every First Thursday of the month – offering free admission to all! Opening hours are from 10AM, with extended opening hours until 8PM. Last entry is at 7:15PM.
The Norval family are the founders and initial funders of the Norval Foundation. Their aim is to make art widely accessible to local and international visitors by creating a self-sustaining centre for art. The proceeds from capital donations will be used to secure the foundation for future generations.
Shown for the first time in its entirety, On the Mines: David Goldblatt is the last exhibition that the photographer personally helped conceptualise before his death in 2018. Goldblatt is revealed as the great chronicler and documenter of South Africa: the quiet observer of how the country, its peoples, its institutions and landscape have been inscribed by politics and power.
Forced migration is central to Serge Alain Nitegeka’s Structural Response III. The theme of disrupted lives, disrupted work and disrupted spaces is, through his intervention within the Atrium, intended to enable a discussion about displacement. His use of simple building materials such as pre-cut timber, references the aesthetics of temporary structures that forced migrants often construct.
This sits alongside an allusion to minimalism processes and aims through his use of pre-fabricated materials, and the manner in which Structural Response III encourages an awareness of space on the part of the viewer. Additionally, Nitegeka’s work utilises the language of Russian Constructivism, the early 20th-century art movement that employed geometric abstraction to represent a new form of social politics.
Norval Foundation’s Collector’s Focus is a series of exhibitions and talks that highlight the role of collectors of visual art and design in shaping culture. It was established by Elana Brundyn, CEO of Norval Foundation, to recognise the unique contributions that collectors play in the preservation and evolution of culture. The Sanlam Art Collection came into being on 9 March 1965 when the Sanlam Board approved the acquisition of 12 paintings by well-known artists for the production of a prestige calendar in the coming year. The motivation for the establishment of an art collection multifaceted and included recognising the company’s role in the communities it was doing business successfully, as well encouraging South African artists to produce good quality work. That art could develop into a good investment was also acknowledged.
Mahama’s rigorous, socially engaged and process based practice, brings to the fore Africa’s role in the global exchange of commodities while considering the movement of its people and how labour is valued. For the installation at Norval Foundation, Mahama intervenes in the Foundation’s largest gallery, at nine metres high, covering the surfaces with hessian sacks, contrasting the humility of the materials with the monumentality of the space.
The exhibition Trade Winds: Yinka Shonibare CBE at Norval Foundation, brings together a series of artworks, including sculptures, photographs and a major installation, created between 2008 and 2018, which are connected through their use of Dutch Wax fabric.
56 Church Street
50 Harrington Street
64A Wale Street
23 Buitenkant Street
40 Long Street
16 Buiten Street
67 Loop Street
160 Strand Street
Corner of Church and Loop Streets